Shikata Ga-Nai; It Cant Be Helped Essays - , Term Papers

Shikata Ga-Nai; It Can't Be Helped Shikata Ga-nai; It Can't Be Helped Welcome to August 6, 1945. In a last endeavor to end World War II, the United States of America drops the main nuclear bomb on Hiroshima, a significant mechanical and military focus. Temperatures are more boiling than the outside of the sun. Light is shining. Air is thick and substantial with an encompassing radiation. John Hershey illuminates us regarding the encounters of six individuals that endure the planets first atomic blast in Hiroshima. Hiroshima starts by describing the circumstances of the six people not long previously and right now of the blast that changed history. The book initially presents Miss Toshiko Sasaki, a faculty representative in the East Asia Tin works, who had recently gone to talk with her companion during a rest from work. Next, Dr. Masakazu Fujii, a specialist at a private emergency clinic, was presented as unwinding on his facilities patio and perusing the day by day paper, a stones discard from a quiet stream. Simultaneously, Mrs. Hatsuyo Nakamura was watching her nearby neighbor, who was clearing a path for a bigger emergency exit course, through her kitchen window. Fr. Wilhelm Kleinsorge, a German cleric, was lying on a lounge chair in his room perusing a magazine, comparing with the activities of Dr. Terufumi Sasaki, a specialist who was strolling down an emergency clinic passageway conveying blood examples. At last, Rev. Mr. Kiyoshi Tanimoto, the minister of the Hiroshima Methodist Church, was presently sleepily moving the things of his place of love. Unbeknownst to these blameless regular citizens as they were completing their every day undertakings, a plane called the Enola Gay quietly passed unnoticed overhead and discreetly dropped the universes deadliest bomb that changed what's to come. A silent blaze of light was the main admonition they got, a brief instant which gave them simply sufficient opportunity to stop people in their tracks. The bomb exploded at ground zero, and in short order, hellfire not at all like some other kind disentangled. Miss Sasaki was thumped oblivious when her shelf, because of the effect of the impact, stomped on her to the ground. She lay caught, as the bookshelf had fallen on and squashed her leg, leaving her disabled. In the years to follow, she figures out how to defeat this incapacity and goes into a place of Catholic nuns. She spends a lot of her life helping stranded youngsters. Dr. Fujii was tossed like a cloth doll into the cl ose by waterway, making due with just two bits of wood holding his head above water level. Despite the fact that he later focuses things on himself, he isn't totally unsympathetic to people around him. His once erect medical clinic remained in ruins, yet he in the long run recuperated the two his wellbeing and fortune, proceeding to live easily as a specialist. Mrs. Nakamura was caught under the flotsam and jetsam of her family things, for all intents and purposes scratchless. She on the double started scanning for her little girl, the most youthful of three, whose shouts she heard perceptibly. No signs are given that her other two kids, a child and a girl, are alive, yet she discovers them among the rubble. She experiences gently the impacts of the radiation, yet is consistent in helping other people even through the most exceedingly terrible, leaving her four decades later a still-dynamic resident. Father Wilhelm Kleinsorge tumbled to the ground, thinking the bomb had fallen legit imately on him, winding up stupefied and in his vegetable nursery. His prompt activities are to support the injured, however he has no acknowledgment of what really happened. He brings about just little cuts in the impact, yet endures devitalizing impacts of the radiation. Following a few additional years, he looks for Japanese citizenship and receives the Japanese name of Fr. Makoto Takakura. Dr. Sasaki, bowed at time of effect, was not do any harm. Truth be told, he remained the main unharmed specialist in the clinic. He went extensive stretches of time without rest, and without his own glasses, so as to concentrate on the siege of harmed escaping to his emergency clinic. He treats a great many casualties and in the long run begins his own center outside of Hiroshima, where he flourishes enormously. To a great extent safe, Rev. Mr. Kiyoshi accepted a bomb had fallen on the house quickly close to him, for bits of that house showered on him. He

Art history formal analysis Renoir luncheon of the boating party Essay

The topic of the artwork comprises of a gathering of individuals collected on an outside deck that has a wooden railing and a red and white striped shade. The deck is encircled by swamp grass and a few trees with a stream noticeable past them. Upon the waterway a couple of vessels can be seen, one of them a boat. In the prompt forefront there’s a square table with a white decorative spread on which rests a few void wine glasses with obvious red wine buildup. A couple of plates are additionally noticeable with fluted glasses upon them, disposed of pieces of food and flatware can likewise be seen. A focal point dish of natural product made out of Grapes and pears is flanked by a few jugs ofâ red wine. A couple of disposed of white material napkins have been coolly thrown among the dishes. Situated to one side of focus at the table in the closer view is a young lady wearing straw cap with a red bloomed cap band. She wears a fine dark dress with white ribbon edging at the neck and sleeves, a dim red scarf hung over neck and down the front of the dress. She wears a dark choker around her neck. She’s holding a little earthy colored furred canine near her face from under its forelegs the pooch sits upstanding upon the table confronting her. Behind her to one side standing and inclining with his rear against the wooden railing of the deck, his correct arm grasping the railing stands a huge man, his face in profile as he looks to one side and somewhat back. He wears an arch molded straw cap with the edge bended upwards its edge cut in blue. He has neatly trimmed rosy earthy colored hair and has a full facial hair and mustache of a similar shading. He wears a white tank top shirt and white jeans. On his right side along the railing a few feet behind the closer view table stands a lady twisted forward, her left arm and right elbow settling upon the railing as she faces the table. She wears a straw cap with a blue cap band the edge bended down. Her dresses is grayish and cut in red that the neck and sleeves. Confronting her with his back to the table sits a man wearing an earthy colored suit and an earthy colored and bowler cap. Behind the lady at the railing at the extreme left corner of the deck looking ahead stands a man wearing an earthy colored coat with a light blue shirt wearing a top. Confronting him remaining with his back to the watcher confronting left is a man wearing a dark jacket and a dark top cap with a facial hair. In the correct forefront situated confronting the table on a wooden seat that is turned in reverse is a man who looks left toward the railing of the deck, his face in profile. He faces the lady situated inverse him who holds the canine. He is wearing a straw cap with a level top and dark hatband its edge turned up at the back. He has earthy colored hair and a light earthy colored short mustache. He wears a white tank top shirt and dull hued pants. His arms lay forward on the turned around seat back; in his correct hand he holds a cigarette. To his privilege situated at the table is a lady wearing a white brimless cap with a couple of blue stripes. Her dress is blue with white unsettles cut in red at the neck and white sleeves. Her hair is earthy colored a little round stud can be considered hanging to be her correct ear as she gazes upward and to theâ right. Remaining behind her over her left shoulder is a man wearing a cream shaded coat with wispy blue stripes. He wears a white shirt and a dark cravat. His hair falls over his temple and is rosy earthy colored. He has a little mustache and a goatee facial hair. He is hanging over the woman’s shoulder with his hand laying on the rear of her seat, looking down at her. Behind him out of sight over his left shoulder is a lady standing confronting left, with dark gloved hands raised to the sides of her face. She wears an elaborate dark cap with plumes and a dark dress. Remaining close to her with his arm around her is a man with a straw cap with a red cap band, wearing a red and white striped shirt. He looks ahead taking a gander at her eagerly. To his correct stands another man confronting the lady he has his arm around. This man has a full whiskers and wears a dark cap. Behind him situated at the back table is a lady in a bloomed straw cap who is drinking from a glass, she watches legitimately good and gone plane past the table in the frontal area at the watcher. A man situated to one side is scarcely noticeable in profile and past the shoulder of the man in the cream shaded coat. The whole scene is splendidly lit with encompassing light from the open sides of the patio most of which were enters from the front left of the image plane. The white decorative spread on the table in the closer view sparkles with reflected light and the glasses and jugs on the table twinkle in the light. Part IV †Examination of the Art Objects Medium/Technique/Process Used: The medium utilized is this painting by Renoir is oil on canvas. The work was painted en plein air (outside) using the alla prima (wet on wet) procedure and furthermore the traditional layering method of oil painting utilized by the old experts. In these procedures the initial step would require the planning of a surface on which to apply the oil paint. A material canvas would be extended around a wooden casing and attached into place. The outside of the canvas would then be shielded from the acidic characteristics of the oil paint by applying layers of bunny skin paste and chalk known as a ground. Next a groundwork of white lead paint or paste blended in with chalk â€Å"gesso† is added to give a base layer to the artistic creation. An unpleasant diagram of the scene would then be outlined onto the canvas as a guide for painting. Next the making of a palette from which to paint from would require choosing the best possible shades. (Eastlake pg.234) For the bits of this work were painted en plein air in the alla prima procedure in the Impressionist style, for example, the flatware in the closer view Renoir would have utilized versatile containers of pigmented paint. Different segments that were executed in his studio utilized traditional oil painting procedures of layering hues and afterward coating which makes a brilliant sparkle and gives the three dimensional nature of displaying. This method is apparent in the displaying of the lower arm and the hand holding the cigarette of the man situated at the table in the correct forefront. Hues would then be applied to their legitimate districts as per the sketch beginning with the darkest and completion with the lightest, a mosaic whereupon the subtleties and features could then be painted. At last upon fulfillment the composition would be fixed with a varnish to secure its surface. (Sanders pg.11) Part V Examination of the Art Objects Composition (its Form Organization): 1. Distinguish and depict a particular occurrence of creation from the rundown found underneath: A. Line: Renoir utilizes a sharp spotless line to characterize the arm of the man situated at the table in the correct forefront. The exact layout of the arm adds to the difference of shading between the arm and the man’s white shirt, the white decorative liner, and seat adding apparent profundity to the state of the arm. Conversely Renoir’s utilization of line in making the swamp grasses outside the overhang is free and diffused, giving the grass an apparent development and profundity. B. Shape: The semi round state of the shades scalloped edge is contorted into bending focuses giving the figment that the canopy is influencing in the breeze adding a feeling of development to the air that is gotten by the grasses past it. C. Space: The open space left of focus, surrounded by the two men in white tank tops takes into consideration an unhindered perspective on the scene past giving viewpoint and complexities the thickly populated right half of the image adding to the closeness of the amassed gathering. This open space additionally coordinates the watcher look to the highlight of the table which is the representative heart of this artwork. D. Shading: Applications red are spread about the painting highlighting the loving characteristics of the subjects portrayed. Generally obvious in the ladies in fluctuating bounty and force, the shading red features the articles of clothing at the sleeves and necks, in the blossoms they wear on their caps, and all the rage. Albeit increasingly inconspicuous, accents of red are available on the men as reddens to their face or all the rage. The most unmistakably affectionate male morally justified to the back wears a shirt and cap both striped with red. The most unmistakably sexual female situated, at the table in the left frontal area has red following her neck and a blast of red in the bloom on her cap. At long last the red striped shade with its tong like folds covers the whole coquettish scene. E. Surface: Renoir utilizes varieties in shading, shadowing, and white features to render the textural appearance of the straw cap worn by the man situated at the table in the correct forefront. F. Example: The diffused lines of blue/green make a layered example in the swamp grasses outside the patio rendering the impact of covering leaves with joined thickness. G. Time and Motion: The movement in this work of art is conferred by the bog grasses and shade delicately influencing in the breeze. The part of time gradually going is communicated through the boats coasting along the waterway and in the relaxed stances of the subjects along the railing. 2. Toward the finish of this arrangement of sections recognize any workmanship components you believe isn't found or utilized in the craftsmanship objects sythesis.

3 Google Tools To Use To Improve Y?ur C?nt?nt M?rk?ting Strategy?

3 Google Tools To Use To Improve Y?ur C?nt?nt M?rk?ting Strategy? Make Money Online Queries? Struggling To Get Traffic To Your Blog? Sign Up On (HBB) Forum Now!3 Google Tools To Use To Improve Y?ur C?nt?nt M?rk?ting Strategy?Updated On 06/03/2019Author : Ram kumarTopic : BusinessShort URL : https://hbb.me/2NIbzKC CONNECT WITH HBB ON SOCIAL MEDIA Follow @HellBoundBlogAll brands are at the mercy of Google when it comes having customers find our content online organically.  A good ??nt?nt marketing ?tr?t?g? ??m?ri??? of two important ?????t? â€" r?gul?r, ?u?lit? content ?nd its m?rk?ting ?n the internet ?nd ???i?l m?di? ?l?tf?rm?.Whil? th? content n??d? to be b?th fr??u?nt ?nd high qu?lit?, it i? equally im??rt?nt to m?rk?t th? ??nt?nt w?ll.It i? ????nti?l th?t ????l? r??d th? ??nt?nt ?nd ?h?r? it ?n social n?tw?rking w?b?it??. If the ??nt?nt i? very popular then it might ?v?n g? vir?l and bring in a storm ?f traffic t? the w?b?it?.H?w?v?r, f?r all this to h????n, you will n??d to put your ??nt?nt m?rk?ting strategy in place.H?r? ?r? three ??w?rful tools b? G??gl? th?t ??n help ??u achieve this.G??gl? K??w?rd Pl?nn?rGoogle Keyword Planner i? ?n ?x??ll?nt t??l f?r writers who n??d help in d?v?l??ing th? ??nt?nt from scratch ?ft?r deciding on the t??i? they ?r? g?ing t? writ? ?n. G??gl? Keyword Pl?nn?r h?l?? the writer research a ??rt?in topic ?nd find k??w?rd? related t? that.For ?x?m?l?, if ??u want t? research ‘???i?l m?di? influence’, then th? Keyword Pl?nn?r will reveal a long li?t of k??w?rd? r?l?t?d t? this topic, such as social media ?d?, ?r?m?t?d ?nd ???n??r?d posts, infographics, ??nt?nt marketing, ?t?.With th? introduction of G??gl? Hummingbird, ??u n??d t? focus more ?n long-tailed searches. Tr? t? fit the k??w?rd? revealed into th? titl? or b?d? ?f th? content to f?rm a m??ningful sentence.F?r ?x?m?l?, if ??u d??id? to u?? the keyword ???n??r?d ???t th?n u?? the k??w?rds wh?t i? a ???n??r?d ???t ?r h?w can I benefit fr?m ???n??r?d ???t?.READ3 Essential Things For Establishing Your Business WebsiteG??gl? TrendsG? ?gl? Trends i? a useful t??l that r?v??l? th? current trending t??i?? on th? int?rn?t. Fr?m ??l?briti?? to cultural ?v?nt?, it t?ll? you ?ll th?t is gri??ing the ?nlin? w?rld. You can write about these topics in order t? in?r???? th? number of ????l? who read ??ur ??nt?nt.It i? a great t??l to help you ?v?id writing ??nt?nt th?t i? ?ut ?f tune with active r??d?r? ?nd current events, or content that is ?lr??d? ?b??l?t?.T? use it, ??u ??n search for a ??rti?ul?r t??i? ?r a k??w?rd, ?r ?im?l? a category th?t you w?nt t? writ? ?b?ut.Y?u need t? ??l??t the r?gi?n, time fr?m? ?nd category fr?m dr??-d?wn m?nu?. A graph d?n?ting th? trends is then di??l???d, ?l?ng with a li?t ?f ???r?h t?rm?.G??gl? W?bm??t?r? T??lThe Google Webmasters Tool provides a ?im?l? ?nd ?tr?ightf?rw?rd w?? to m?? out a ??nt?nt strategy by ?h??king whi?h k??w?rd? driv? m?ximum tr?ffi? t? your w?b?it?.Y?u ??n find ?ut which ??nt?nt ??ur audience r?l?t?? t? th? m??t and develop m?r? of it.U?ing th??? three G??gl? t??l? will h?l? you d?v?l?? a better content and m?rk?ting ?tr?t?g? in ?rd?r to driv? m?r? traffic to ??ur w?b?it?.C?nt?nt m?rk?ting is arguably th? most ?ff??tiv? m?th?d ?f marketing on th? int?rn?t. Its b?n?fit? cut ??r??? improving im?g?, driving ??l?? and r?t?ining ?u?t?m?r?.For ?n? bu?in??? ???king to m?rk?t it??lf ?nd ?r?fit from th? internet, a ??nt?nt marketing ?tr?t?g? i? th? w?? t? g?.

Summary and Review of Uglies by Scott Westerfield - 663 Words

Uglies takes place In the future, where it is summer. The sun is fading; the deep blue gaps of night are peering through like an ocean, bottomless and cold. Every summer was beautiful and enjoying, up to this one. No wonder it couldn’t be beautiful, when you lose a best friend, nothing is. Tally Youngblood was still an ugly. Three months and two days until she finally turns sixteen years old, goes off for the surgery, and becomes a pretty like her friend Peris. Since Tally isn’t a very patient girl, she decides to sneak out and go to the New Pretty Town and see Peris just for a little while. Tally is a girl that loves pulling tricks and pranks. Even at the very beginning of the book, Tally is braking in to the New Pretty Town, and as we get to know, it isn’t her first time. She used to do it with Peris as well. When Shay and she aren’t arguing over the pretty surgery, they are breaking the law, pulling some tricks on younger children, and goofing around. Tally loves causing trouble, even though sometimes, the intensions aren’t like that. Also, Tally is a very brave sixteen -year old. Even though she has caused much trouble, especially to smokies, Tally is willing to clean up the mess and try to fix everything. At the beginning of the book, Tally’s goal is to turn sixteen and become a pretty. Many obstacles come in her way and towards the middle of the book; Tally realizes how she loves and has a good life being ugly. Now that she wants to be an Ugly, she can’t. The

The Architecture of El Tajin

The once-magnificent city of El Tajin, which flourished not far inland from Mexicos Gulf Coast from roughly 800-1200 A.D., features some truly spectacular architecture. The palaces, temples and ballcourts of the excavated city show impressive architectural details like cornices, inset glyphs and niches. The City of Storms After the fall of Teotihuacan around 650 A.D., El Tajin was one of several powerful city-states that arose in the ensuing vacuum of power. The city flourished from about 800 to 1200 A.D. At one time, the city covered 500 hectares and may have had as many as 30,000 inhabitants; its influence spread throughout Mexicos Gulf Coast region. Their chief God was Quetzalcoatl, whose worship was common in Mesoamerican lands at the time. After 1200 A.D., the city was abandoned and left to return to the jungle: only locals knew about it until a Spanish colonial official stumbled across it in 1785. For the past century, a series of excavation and preservation programs have taken place there, and it is an important site for tourists and historians alike. The City of El Tajin and its Architecture The word Tajà ­n refers to a spirit with great powers over the weather, especially in terms of rain, lightning, thunder and storms. El Tajà ­n was built in the lush, hilly lowlands not far from the Gulf Coast. It is spread out over a relatively spacious area, but hills and arroyos defined the city limits. Much of it may once have been built of wood or other perishable materials: these have been long since lost to the jungle. There are a number of temples and buildings in the Arroyo Group and old ceremonial center and palaces and administrative-type buildings in Tajà ­n Chico, located on a hill to the north of the rest of the city. To the northeast is the impressive Great Xicalcoliuhqui wall. None of the buildings is known to be hollow or to house a tomb of any sort. Most of the buildings and structures are made of a locally available sandstone. Some of the temples and pyramids are built over earlier structures. Many of the pyramids and temples are made of finely carved stone and f illed with packed earth. Architectural Influence and Innovations El Tajin is unique enough architecturally that it has its own style, often referred to as Classic Central Veracruz. Nevertheless, there are some obvious external influences on the architectural style at the site. The overall style of the pyramids at the site is referred to in Spanish as the talà ºd-tablero style (it basically translates as slope/walls). In other words, the overall slope of the pyramid is created by piling progressively smaller square or rectangular levels on top of another. These levels can be quite tall, and there is always a stairway to grant access to the top. This style came to El Tajà ­n from Teotihuacan, but the builders of El Tajin took it further. On many of the pyramids in the ceremonial center, the tiers of the pyramids are adorned with cornices which jut out into space on the sides and corners. This gives the buildings a striking, majestic silhouette. The builders of El Tajà ­n also added niches to the flat walls of the tiers, resulting in a richly textured, dramatic look not seen at Teotihuacan. El Tajin also shows influence from Classic era Maya cities. One notable similarity is the association of altitude with power: in El Tajà ­n, the ruling class built a palace complexes on hills adjacent to the ceremonial center. From this section of the city, known as Tajin Chico, the ruling class gazed down upon the homes of their subjects and the pyramids of the ceremonial district and the Arroyo Group. In addition, building 19 is a pyramid which features four stairways to the top, on in each cardinal direction. This is similar to el Castillo or the Temple of Kukulcan in Chichà ©n Itzà ¡, which likewise has four stairways.   Another innovation at El Tajà ­n was the idea of plaster ceilings. Most of the structures at the top of pyramids or on finely built bases were constructed of perishable materials such as wood, but there is some evidence in the Tajà ­n Chico area of the site that some of the ceilings may have been made of a heavy plaster. Even the ceiling at the Building of the Columns may have had an arched plaster ceiling, as archaeologists discovered large blocks of convex, polished blocks of plaster there. Ballcourts of El Tajn The ballgame was of paramount importance to the people of El Tajà ­n. No fewer than seventeen ballcourts have been found so far at El Tajà ­n, including several in and around the ceremonial center. The usual shape of a ball court was that of a double T: a long narrow area in the middle with an open space at either end. At El Tajà ­n, buildings and pyramids were often constructed in such a way that they would naturally create courts between them. For example, one of the ballcourts in the ceremonial center is defined on either side by Buildings 13 and 14, which were designed for spectators. The south end of the ballcourt, however, is defined by Building 16, an early version of the Pyramid of the Niches. One of the most striking structures at El Tajin is the South Ballcourt. This was obviously the most important one, as it is decorated with six marvelous panels carved in bas-relief. These show scenes from the ceremonious ballgames including human sacrifice, which often was the result of one of the games. The Niches of El Tajin The most remarkable innovation of El Tajà ­ns architects was the niches so common at the site. From the rudimentary ones at Building 16 to the magnificence of the Pyramid of the Niches, the sites best-known structure, niches are everywhere at El Tajà ­n. The niches of El Tajà ­n are small recesses set into the exterior walls of the tiers of several pyramids on the site. Some of the niches in Tajà ­n Chico have a spiral-like design in them: this was one of the symbols of Quetzalcoatl. The best example of the importance of the Niches at El Tajin is the impressive Pyramid of the Niches. The pyramid, which sits on a square base, has exactly 365 deep-set, well-designed niches, suggesting that it was a place where the sun was worshiped. It was once dramatically painted to heighten the contrast between the shady, recessed niches and the faces of the tiers; the interior of the niches was painted black, and the surrounding walls red. On the stairway, there were once six platform-altars (only five remain). Each of these altars features three small niches: this adds up to eighteen niches, possibly representing the Mesoamerican solar calendar, which had eighteen months. Importance of Architecture at El Tajin The architects of El Tajin were very skilled, using advances such as cornices, niches, cement and plaster to make their buildings, which were brightly, dramatically painted to great effect. Their skill is also evident in the simple fact that so many of their buildings have survived to the present day, although the archaeologists who restored the magnificent palaces and temples surely helped. Unfortunately for those who study the City of Storms, relatively few records remain of the people who lived there. There are no books and no direct accounts by anyone who ever had direct contact with them. Unlike the Maya, who were fond of carving glyphs with names, dates and information into their stone artwork, the artists of El Tajin rarely did so. This lack of information makes the architecture that much more important: it is the best source of information about this lost culture. Sources: Coe, Andrew. . Emeryville, CA: Avalon Travel Publishing, 2001. Ladrà ³n de Guevara, Sara. El Tajin: La Urbe que Representa al Orbe. Mexico: Fondo de Cultura Economica, 2010. Solà ­s, Felipe. El Tajà ­n. Mà ©xico: Editorial Mà ©xico Desconocido, 2003. Wilkerson, Jeffrey K. Eighty Centuries of Veracruz. National Geographic 158, No. 2 (August 1980), 203-232. Zaleta, Leonardo. Tajà ­n: Misterio y Belleza. Pozo Rico: Leonardo Zaleta 1979 (2011).

Essay on Inequalities as Portrayed in the Media a Gender...

Inequalities as Portrayed in the Media: A Gender Analysis Media plays a big role in conventional Canadian society. It is becoming more and more influential and a bigger part of everyone’s daily lives. Since the invention and spread of the use of the printing press in the mid fifteen-hundreds, societies have been able to produce mass quantities of information available to the general public. Books were printed and made available to a large audience, replacing word of mouth communication about a society’s existence. Since then, various other forms of mass media have been created; including, radio networks, television programs, mass produced magazines, music and advertising. These are all examples of media that Canadians are exposed to†¦show more content†¦It will argue that inequalities exist between men and women within society, and this is enforced through the communicated messages sent via media. It will take the standpoint that gender equality in the media would mean an equal representation of both sexes with a diversity of male and female roles. In the world of music there are many different niches and types of music. From country to jazz, to hip-hop to local ‘indie’ bands, the world of music seems to have something for an endless variety of tastes and likings. When looking at music to assess gender inequalities, I will then focus on so-called ‘top hits’ in order to assure that the songs chosen have reached a large crowd, therefore influencing more people. Last year, the well known G-Unit member 50-Cent added another top hit to the charts. His song ‘Just a Little Bit’ managed to be on the Top 100 songs of 2006, not to mention his achievements previous years with songs such as ‘Candy Shop’ and ‘In Da Club’ (Rolling Stone, 2007). The bottom line here is that 50-Cent is a well known rapper reaching many mainstream music listeners, especially the young. 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Glenn Colquhoun free essay sample

A spell to be cast prior to dying, by Glen Colquhoun have a reoccurring theme which is to die as you are in life and not to fear death. Colquhoun’s position as a Medical professional adds impetus to the imperatives present in both poems. A Spell to be cast prior to dying is a poem which tries to reinforce the idea that life was not given to us so that we are to fear death but to make the most of the time we have and to go out with a ‘bang’. Colquhoun uses the repetition of â€Å"Die† both to put the reader at a position where they are effectively being desensitized to death and also to convey that Colquhoun being a doctor deals with death every day and the unpleasantries that accompany it. This is shown by the statement â€Å"Die, go on, get the hell out of here, find your own way home. We will write a custom essay sample on Glenn Colquhoun or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page † How ever Colquhoun feels it is his duty as a doctor to set an example of a strong minded person, that Colquhoun seemed to show an emotional weakness when he said â€Å".. Die looking backwards as though you were some how desperate to get of the tracks before the train hit This showed that Colquhoun was looked up to by the family members of the deceased but he was unable to look up to another figure. Colquhoun also uses the repetition of die to illustrate the different situations that people can die in. â€Å"die without anybody noticing it. † Is an example of a reclusive person and that would not want anyone else to bear witness to their unfortunate end. Colquhoun being a New Zealand poet falls under the category of a kiwi bloke who is traditionally subjected to the stereotype of being comfortable with death and just being able to accept it and move on. How ever Colquhoun showed how even he as a doctor can be caught off-guard by death â€Å"That’s all I want to say, go on, get the hell out of here, find your own way home. † The statement has hints at desperation in Colquhoun’s persona which shows that he is tired of having to deal with it in people’s stead. Another of Colquhoun’s poems Mothers, love your sons urges not only mothers but fathers, brothers and sisters to love the people closest to them even in there misadventures. Colquhoun uses the obvious imperative of â€Å"love your sons† but more so his use of â€Å"Love you granite sons, your Crystal sons, your paper sons† to deepen his meaning and to make the imperative that much more effective. Colquhoun also emphasizes the importance of loving your sons by showing some of the bad decisions we as people make, ‘terrible haircuts’, ‘badly ironed clothes’ to show weakness and that we should love them for their triumph as well as their blundering mistakes. Colquhoun cleverly used the statement â€Å"love you’re big, dumb sons, your idiot sons, you’re †¦. Sons† to show that sons generally boast ‘shoot first, ask questions later’ attitude and that gave special impetus to when he said, â€Å"You’re irresponsible sons and their indestructible limbs. † Colquhoun is effectively showing that the sons are unfit to care for themselves and it is the responsibility of a mother to be the responsible person who will wait up to 3am when the sons return from and eventful night gallivanting about unaware of the yelling their actions have brought about. Colquhoun being doctor usually sees the sons when they are in their worst shape. Mothers, love your sons and A spell to be cast prior to dying, by Glen Colquhoun. He used metaphors and Imperitives to convey an important theme which is that living life, and careing for those close to you is more important than fearing death. And his position as a Medical professional and as a father added impetus to the techniques present in both poems.